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The boy everyone called Dickey traded his ukulele for a mandolin and then a banjo and then an electric guitar, because he noticed the electric guitar impressed the girls. Of course, once you imagine something, it is never going to be like that. The duo brought a bottle of mezcal, a bouquet of flowers, and three shot glasses to the interview. As Legrand sips a baby shot, she keeps imagining that this is the first alcohol any of us have ever imbibed. Scally soon turns the three-foot-long, spaceship-like coffee table into a narrow fort. We eye the knick-knacks on the shelves—vases out of Restoration Hardware by way of the Met’s antiquities collection—with suspicion and tuck into a tray of caramel-filled chocolates atop a bed of crushed ice-cream cones.
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This tendency toward emotional ambiguity is another one of Beach House’s quiet acts of resistance in an era when streaming services have replaced genres with moods as the primary method of categorization. (Here’s music to pep you up. Here’s music to chill out to.) Beach House songs can melt the boundaries between the morose and the ecstatic, refusing to prescribe a desired effect, allowing the music to be moody without specifying which mood. This is not to say that Beach House’s work is stagnant or unadventurous. Its albums are a bit like vast stretches of a shingle beach—blank and uniform from afar, but full of idiosyncrasies up close. On its last LP, “7,” from 2018, the band widened its scope to include French-language vocals, a distortion pedal, and a sprawling kind of psychedelia. “Once Twice Melody,” its new record, is its most ambitious and dynamic.
Watch Beach House's Victoria Legrand join Yo La Tengo for Velvet Underground's "Pale Blue Eyes" on Hanukkah night 6 - Brooklyn Vegan
Watch Beach House's Victoria Legrand join Yo La Tengo for Velvet Underground's "Pale Blue Eyes" on Hanukkah night 6.
Posted: Wed, 13 Dec 2023 08:00:00 GMT [source]
Listen to Beach House’s New Become EP
Betts is survived by many local family members including his wife of more than three decades, Donna Betts, and his daughter, country music singer Kimberly Betts, who performed around Sarasota-Manatee with her band Gamble Creek, which featured her son (Dickey’s grandson), Grant Tyler, on guitar. SARASOTA COUNTY — Dickey Betts, a driving force behind the Allman Brothers Band that launched Southern rock and influenced the jam band scene, died Thursday, April 18, at his home in Osprey on Little Sarasota Bay, according to his longtime manager David Spero. Now Scally is unsure where they should put “Space Song” in the setlist for the Once Twice Melody tour. Over takeout shrimp cocktail, calamari, sandwiches, and fries, he plays out the scenarios—first third or encore? —until Legrand announces that we don’t need to talk about it anymore.
LA Rams' Draft House is a $16.5 Million Mansion in Hermosa Beach
According to a preliminary investigation released Friday by the Committee to Protect Journalists, nearly 100 journalists have been killed covering the war in Gaza. Israel has defended its actions, saying it has been targeting militants. One organizer complained that the White House Correspondents' Association - which represents the hundreds of journalists who cover the president - largely has been silent since the first weeks of the war about the killings of Palestinian journalists. The night's remarks also were expected to cast a spotlight on the many journalists detained and otherwise persecuted around the globe for doing their jobs, including Wall Street Journal reporter Evan Gershkovich, who has been imprisoned in Russia since March 2023. Kelly O'Donnell, president of the correspondents' association, opened the event by reminding the audience of the important work that journalists do but noting that the dinner is happening at "a complex moment for our nation," and in a decisive election year.
Legrand’s voice got higher and quieter, and they incorporated new elements, such as a choir. Some songs got heavier and more atmospheric, thanks to the wail of Scally’s slide guitar. But the record was largely—at the risk of tedium—a return to form, filled with swooning tracks and hushed whispers of melodies. Betts released several acclaimed solo albums in the 1970s and 1980s before playing an integral role in reforming the Allman Brothers Band in '89 following a seven-year hiatus. I don’t think it’s just that song, but if that is the gateway, then I’m happy about it.
Assuming the Rams don't trade out of the first round, they will be picking on the first day of the draft for the first time since 2016 when Jared Goff was the No. 1 overall pick. In addition to McVay and general manager Les Snead, the draft house will typically have celebrity guests. Eric Dickerson, Rebel Wilson, Erin Andrews and Brody Jenner were photographed at the venue in 2021. The Rams have run their draft out of a draft house since 2021, though they referred to last year's location in the San Fernando Valley as a "draft lab." A social media post of a small Bull Terrier mix desperately chasing its owner’s car struck a chord with dog lovers in Long Beach Wednesday.
The Enduring Brilliance of Beach House - VICE
The Enduring Brilliance of Beach House.
Posted: Tue, 01 May 2018 07:00:00 GMT [source]
While she can muse endlessly about creative concerns, she’s less interested in conversations about streaming and “the industry,” and sometimes loses her patience with Scally’s curiosity (or “hypothetical blabbing,” as he calls it) about such topics. It feels like catching a glimpse of the perpetual push and pull dynamic that makes Beach House work. They are an organism with two distinct halves—Alex is the analytical one, Vic more romantic and freeform. Chants accused U.S. journalists of undercovering the war and misrepresenting it.
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“Something else is happening, but I can’t quite place it—what is it? Sitting on the floor, she thinks for a second and launches into a moment of abstraction. “The kids are laying around going, ‘I like this girl, I don’t know. ’” Even now, after nearly 20 years of making music together, they’re still asking each other the big questions.
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In 2012, the indie-pop duo Beach House took the stage in Central Park, in front of nearly five thousand people, one of the biggest audiences of its career. The band, made up of the vocalist and keyboardist Victoria Legrand and the guitarist Alex Scally, had made a name for itself first within Baltimore’s eclectic scene, and then in the wider world. The music was woozy and impressionistic, but also steady and painstaking. It had become synonymous with the term “dream-pop,” making it part of a lineage that includes the work of artists from the Beach Boys to My Bloody Valentine. On Beach House’s self-titled début album, from 2006, Legrand and Scally used nothing but a guitar, a Yamaha keyboard, and an organ to produce a thick, lo-fi blanket of warbled sound that drew on elements of doo-wop, drone, and shoegaze but sounded unmistakably new. Whatever alchemy had been forged between Legrand and Scally lent the music a kind of twilit mysticism.
"He knew the song word for word. Man, it was such an honor. He sang it and I told him later that those words have never had so much feeling. The way he sings, he makes every word punchy. It really was beautiful. It really was." Yet as a slow drip of pure serotonin, Once Twice Melody delivers. It can be tempting to wonder if the album is too long, but the more time I have spent with it, the harder it has been to decide which tracks I might cut.
Originally formed 2004 in Baltimore, Maryland, Beach House is an American dream-pop duo consisting of of French-born Victoria Legrand (vocals, keyboards) and Baltimore native Alex Scally (guitar). Dickey Betts' 80th birthday happened to coincide with an Allman Betts Family Revival performance featuring Duane Betts and Devon Allman (son of Gregg Allman) at Sarasota's Van Wezel Performing Arts Hall. Dickey came on stage during the show to be serenaded with "Happy Birthday" by the crowd. After the show, he was presented with a birthday cake shaped like a Gibson Les Paul model guitar. Dickey Betts' official Instagram account posted that "It was a night that no one in the building will soon forget" and "a fitting way to celebrate the life of a true living legend."
There are feathery acoustic guitars and rosy vocoders, watery analog synths and chord changes that explode like fireworks against the night sky, and all of it has been mixed to emphasize its nuanced contrasts and swollen dimensions. In their soaring choruses and sumptuous arrays of synths, guitars, and percussion, they have taken on the proportions of spectacular, stadium-sized alt pop. (Guest drummer James Barone’s controlled wallop goes a long way toward establishing the record’s blockbuster footprint.) Where once they sounded indebted to bands like Mazzy Star or My Bloody Valentine, here they’re chasing a shiny brass ring bearing the fingerprints of Air, M83, even Tame Impala. Since their start in the mid-2000s, Beach House have maintained a certain level of mystery. Little is known about their origins or their personal relationship, and the music’s signature wash of blissed-out guitar reverb, vintage organ tones, and Legrand’s sensuous voice became a kind of universal astral projection in the vast vibescape of online music culture.
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